A version of this post originally ran on the Hometown Authors site on October 9, 2018
You wrote a book. Hooray! Now comes selling the book. Let's talk about that.
If you go traditional, your publisher will do some of the work needed to sell
your book. My (now former) publisher arranged reviews, announced the book’s
release to libraries, and featured it on their website. I learned I was
expected to help get the word out, which back then was a surprise. I thought
books sort of sold themselves.
It takes effort to get a book noticed, and whether you publish
independently, traditionally, or somewhere in the middle, you're the one who
cares most about your work. You can pay people to promote for you, but that’s
expensive and often doesn’t result in the sales authors hope for. You can
promote for yourself, choosing how much time and effort you want to put into it.
Here are a few ways that can happen.
Book tours: Authors do tours so they can talk about their books to
audiences. These can be virtual or physical. The author sets up dates and
places where readers go to hear about the book and learn about the person who
wrote it. Since people seldom flock to live author events, I developed a talk for
libraries focused on mysteries in general. I highlight the work of others in
the genre while tossing in mention of my own books, like Not Dead Yet…. Audiences respond well, since it isn’t an hour of BSP
(That’s Blatant Self-Promotion, the reason some authors fail at live events.
“Buy my book—it’s great!” is not a good sales technique.)
Advertising: Authors pay newspapers, magazines, websites, etc., for
ad space to get their book in front of readers' eyes. With thousands of new
books published every month, markets are extremely competitive. Barnum's rule
of seven (the number of times we hear/see something before we take action)
reminds authors we can't just have a book-launch party and be done. Promotion
is an all-the-time thing, which is irritating when you'd rather be writing.
There are free sites that list books for readers, usually by genre, and they
can be really helpful, but the problem is rising above the crowd. If a reader
sees thirty books of the same genre on a given day, what makes that person
choose your book over the other twenty-nine? (That leads to talk of blurbs and
cover art, but let’s leave that for another day.)
Reviews: Studies show people most often buy a book because someone
recommended it. That means authors have to get people talking about their
books: librarians, bookstore owners, reviewers, and of course readers. Good
reviews are nice for the ego, but people look at the number of reviews as well.
It’s a safe bet that anything under ten Amazon reviews means only an author’s
friends and relatives have read the book (and some probably just said they
Giveaways: This one is controversial, since some feel it devalues authors’
hard work to give books away. While the work I do to make a book as good as
possible is substantial, I’m realistic. Without a big publisher backing me
these days, I need to give readers a reason to take a chance on me. Once the second
book of a series is ready, I give away the first book (like The Sleuth Sisters, written as Maggie
Pill) for several days. Later in the series, I make that first book permanently
free. It’s a gamble, and sometimes thousands of free downloads each month seem
like lost revenue. But readers might have scrolled right by a book with a price
tag, and if Book #1 is a hit, #2 will see an uptick in sales.
For me, promotion is much less fun than writing. Still, I never wanted to be
that author who writes only for the people who love me too much to care if I’m
any good. I have confidence in my writing ability, but I have to keep working
in terms of promotion. If you want to succeed, you should do the same. As I
said at the start, books don’t sell themselves.